I’ve been intending to post something about the GD May ’77 box set that arrived three months ago. It contains some great music (particularly on the more delicate songs) but this week’s arrival has rather put it (almost literally) in the shade.
The official release of the 1972 Springfield Creamery Benefit concert and the film made of it, Sunshine Daydream, is a marvellous thing. A long-available soundboard recording and bootleg copy of the film on YT have hinted as much but the properly-mixed 16-track sound and a beautifully-restored set of visuals confirm it in spades.
Jerry Garcia couldn’t understand why anyone would want to film the band on stage (“We just stand there. We don’t do anything.”) but, with the addition of Prankster animations and copious shots of roasting hippies, the film is a fantastic document of a communal celebration of life through music. For example:
(Warning: contains naked human wobbly bits)
The film shows the final Dark Star/El Paso/Sing Me Back Home sequence, in which a star dies, two cowboys are killed and a prisoner walks to his execution. Whereas much of the show is suitably sunny and joyful, this is not: it is difficult, harsh and desperately sad. Yet also wonderfully cathartic.
This is the end of Dark Star. It is some of the most involving and intricate acid jazz* collective improvisation you’ll ever hear. To watch it being constructed from thin air is a jaw-dropping delight.
*Acid jazz = jazz improvised whilst under the influence of LSD.