We start off with some “doom jazz” for you today, a completely new genre for me. I love it, it’s like Bladerunner meets Trueblood where Rick Deckard gets it on, very slowly, with Sookie Stackhouse, or perhaps Eric Northman seduces Roy Batty and / or Sean Young. Fabulous. Anyway, that’s enough of that. Many thanks for your top-ups to the worm bank and please keep sending them in to email@example.com Here we go:
Bohren & Der Club of Gore – Komm zurück zu mir – abahachi: Whatever Colin Powell says, Thucydides never actually wrote that “Of all manifestations of power, restraint impresses men most.” But if he had done, he could have been describing the magnificent oeuvre of this German doom jazz group, in which not much happens very slowly but extremely atmospherically. Most of you are going to hate this…
FKA Twigs – Lights On – severin: FKA Twigs was so critically acclaimed last year I think there was a bit of suspicion about whether the music merited it. I think it did and made Two Weeks one of my three tracks of the year. Nominated this track for R/R songs about danger. Totally off topic and unsuccessful of course. Still I think it’s earwormy enough for this column.
DELS (feat. Rosie Lowe) – Burning Beaches – Fuel: DELS is Kieren Gallear, a rapper, recording artsist, graphics designer and filmmaker from Ipswich in Suffolk. John Peel gave him an early break on Radio 1 and he never looked back. This is from his second album, Petals have Fallen. (Ed.)
Sleaford Mods – Face To Faces – tincanman: Brits still have lots to rant about – or perhaps even more – so cheers to London duo Jason Williamson and Andrew Fearn for picking up the torch lit by Ian Dury, The Streets et al. From their latest, Key Markets.
Chief Commander Ebenezer Obey – Miliki Ojeje – glasshalfempty: I love the juju-highlife fusion of the wonderfully named Nigerian musician Chief Commander Ebenezer Obey. He’s been around forever, and I was very pleased to get him A-listed a while back (Austerity).
Franco and Sam Mangwana – Co-operation – goneforeign: I usually don’t submit songs much beyond about 4-5 mins. to Earworms. But with this one I had no choice: 9 + minutes of the most amazing Zairian music ever, a perfect example of Congolese Soukous from the 1980’s. It’s with Franco’s group, OK Jazz. OK Jazz originally meant ‘Tout Puissant Orchestre Kinshasa” (or “All-powerful Kinshasa Orchestra”), it was Franco’s band in Zaire from June 1956 until December 1993.
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