Wilson Wednesday – Pee Wee Wilson

Welcome to Wilson Wednesday, where each week we feature a Wilson of some description. And this week, I head back to the antipodes to find you our featured artist.

Last week, over at the Guardian’s Readers Recommend, I managed to get Pairubu to B List the Delltones rendition of Get a Little Dirt on Your Hands.

So, inspired by last week’s RR, this week’s Wilson is none other than Ian “Pee Wee” Wilson from the Delltones. The Delltones are an Australian doo-wop group, that have been actively performing since the 50’s. Ironically named, “Pee Wee” is the tall guy in the group with the deep voice.

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RR Films: Community

My home town has remained in the news here for the past week, as the primordial slime is dredged for clues about our local mass murderer. Much has been written about how us Mancs have pulled together and rejected any message of hate or mistrust and – much as I would like to be cynical about it – I have found tears coming into my eyes on several occasions as stories of solidarity across cultural, religious and ethnic divides have been told. I cannot deny it: I am proud to be part of this community and this city.

So, let’s have your films about community this week. My choice is Pride, the true story of two communities  – miners and gays – overcoming their mutual suspicion and prejudice to fight oppression and spread understanding.

What films about community would you recommend?

RR Films, like me, is taking a break for a week. I’m not sure where RR is going but I’m off to join my amour in the Dominican Republic 🙂

Earworms 29 May 2017

We’re a bit short of worms this week so here are two playlists for you – a worm list and a new sounds list. Hope you enjoy them both. If you’d like to send us an earworm, please send an .mp3 file or a link to earworm@tincanland.com, together with a short paragraph about why you’ve chosen it. Many thanks to all contributors.

Elliot Galvin Trio – 1666 – glassarfemptee: Edition records recently issued a compilation to celebrate something or the other. They run a great stable, and here’s the UK’s Elliot Galvin Trio. Galvin was winner of European young jazz artist of the year a while back. This moody bit of after hours jazz is from their ‘Punch’ album. I think he is big in Germany, so Nilpferd may be able to tell us more.

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Sounds on Sunday 32

More Sounds on Sunday for you – no prizes for guessing which is my favourite this week, but what do I know? Have a listen for yourself and don’t forget to leave your feedback in the comments below. Many thanks to all contributors.

Linn Koch-Emmery – Forever Sounds: “On May 26th we at Welfare Sound & Records released Linn Koch-Emmery’s new single “Forever Sounds”. Linn is from Norrköping, Sweden and has played music her whole life together with her twin sister Lea who now fronts the band Kid Wave. In 2016 she burst onto the scene with her shoegaze inspired debut single “Come Back” which was picked up by DYI magazines best new music and was ravishingly described as Courtney Barnett fronting the Strokes. “Forever Sounds” is the first single from her upcoming debut EP which will arrive later this year.”

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The Wheel of Your Tune

The Wheel of Your Tune works like this; I metaphorically turn my spinning top to reveal a random letter and number.  The letter relates to an artist or the name of an album in my collection and the number relates to the track by that artist or on that album.  This week’s spin landed on J8.

My J8 track is Jackie Mittoo – Juice Box from the album The Keyboard King at Studio One.

What’s your J8 track?

Covers better than the original – Discuss

There are lots of posts on here about cover versions.  Whether you are of the “it’s just bastardising a perfectly good piece of music” school or persuaded by the “all art is derivative and is there for others to build and improve on” argument, there’s no avoiding them.  Musicians are positively encouraged to perform their own versions of other artists songs.

There are the covers that have become so embedded in the listener psyche it has almost been forgotten they are covers (think Sinead O’Connor’s version of Prince’s Nothing Compares 2 U), there are those you hear and wonder why the band or artist thought it was a good idea to cover that track, they bring nothing new to the table, in fact they spoil the original (my opinion, but think Metallica’s cover of Thin Lizzy’s Whiskey in the Jar – why???).

There are the covers that are clever and polar opposite to the original and offer an alternative sound (try Daughter’s cover of Daft Punk’s Get Luck or Lissie’s version of Kid Cuddy’s Pursuit of Happiness).  There are the covers that are different enough and executed brilliantly in their own right to stand up to the original and be just as good (Tricky’s cover of Public Enemy).  And then, dear reader, there are those covers that raise the song to another level becoming better than the original.  I’m thinking of the Johnny Cash cover of Hurt by Nine Inch Nails or Jimi Hendrix’ version of Dylan’s All Along the Watchtower.  I love these two songs much more than their originals – in fact I never even listen to the originals because both these artists made these songs their own.

The other day I was listening to Bowie’s Station to Station.  The last track is the much covered Johnny Mathis song Wild is the Wind.   In fact I actually thought this was a Nina Simone track because she did a couple of versions of it; I stand corrected by Wiki.  In a step that may well annoy some of you jazz lovers out there I will admit to disliking every version I’ve heard of this song but Bowie’s.  I love it.  I mean, really adore it.  I love the guitars, I love the slightly bossa-nova beat.  His voice is so heartfelt and aching.  There’s a real honesty and desperation about his delivery.  So much better than the original.  It’s not the only Bowie cover I think is better than the original either…I’ll let you try to guess the other.

But this got me thinking, like these things always do – which other covers are better than the original?  Obviously, as is the case with most stuff related to music, this is an opinion thing, but I’d like to know your thoughts.

Yet again ‘Spillers I come to you to fill in the gaps in my musical knowledge. What can you tell me about all this and who else should I be tracking down?


RR Films: Dialogue

Donny the blessed peacemaker is trying to get all these Middle Eastern folk to stop making waves, mainly by encouraging dialogue about how awful Iran is (particularly apt now they have re-elected the moderate guy). I do hope Jared and Ivanka find his pills in time and keep him away from Twitter.

But I suppose dialogue is better than just shouting at them or bombing them (see below). It’s good to talk, I seem to remember being told by Bob Hoskins a long time ago, and there are some great films out there that have talking in them!

I’m looking for films this week where talking is at the heart of the experience, where action and even plot are secondary. I thought of Richard Linklater’s Before Sunrise/Sunset/Midnight trilogy but instead I’ll pick his talking-head-spinning, Rotoscoped Waking Life.

What films centred around dialogue would you recommend?

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‘Spillin’ The Beans – “Divination” by Emerald Suspension.

Emerald Suspension are definitely not going to be to everyone’s taste, but what they do is definitely going to appeal to people who like their music from somewhere Out There.

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Earworms 22 May 2017

Happy Monday! It’s all very intense this week. Hope it transports you to somewhere good, it certainly works for me. Thanks for the worms, please keep ‘em coming in, by sending your chosen .mp3 or link to earworm@tincanland.com, with a short paragraph about why you’ve chosen it. Thanks all.

I LIKE TRAINS – X – glassarfemptee: I know there’s a lot of love for iLiKETRAiNS out there. This is from last year’s album, ‘A divorce before marriage’. It is a sneaky track, lulling you into a false sense of security, then unleashing its real earworm at 4 and half minutes in. Then you’re done for.

Jon Hopkins – Immunity – DsD: I’m feeling more than a little bruised at the moment – emotionally, not physically. I don’t wish to elaborate and don’t need sympathy, but I am self-medicating with music. This ten-minute cocktail of JH’s electronica and KA’s falsetto, taken just before bedtime, tends to help me sleep as well as any massage or alcohol would.

Indian Ocean – Tandanu – Ravi Raman: Title track of their seventh album which also features the current line-up and has seven songs featuring seven different collaborations. Tandanu is just a rhythmic word and has no special meaning. The song is based on an old folk song from Karnataka.

Year of No Light – Perséphone (Enna) – AliM: I’m in the same place as DsD. Well, not literally because that would be weird and stalkerish. But my answer is to be noisy about it because otherwise it will fester. So here is a brilliant number, which I’ve already shared with Ravi; discovered courtesy of Spotify, and just the ticket. Best loud, with speakers/headphones.

Image Copyright: boris15 / 123RF Stock Photo

Sounds on Sunday 31

More new music for you this Sunday – have a listen and leave your comments below. Many thanks to all contributors.

The Big Drops – Baskets of Love: Latest single from NJ-based band The Big Drops which premiered recently on Impose who said, “With guitar work like Brian Setzer, ‘Baskets of Love’ is a fun song that is unlike anything new you can download today.” The band also shared, “‘Baskets Of Love’ is our dabbling & appreciation of the early rock and roll days of Elvis, Yardbirds, The Kinks… The good stuff we grew up listening to.'”

Riley Smith – I’m On Fire: New single – “Riley Smith vocals and songwriting stunningly blend country rock, hard-hitting soulful Americana and modern pop for a sound rarely found in music today.  No secret to those familiar with his lead role on the popular TV show “Nashville”, Smith’s gritty, yet smooth, singing voice and charismatic presence have built him a career on stage and screen.  Acting in popular shows like “True Blood”, “True Detective”, and his latest lead, on The CW’s “Frequency”, got him out in front of the people.  His love for music introduced him to them in a way unlike any other role he has played.” Five-song EP due out on July 21.

TAWLS – 2+2: “The Adventures of Wonderchild and Little Seal (TAWLS) bring you a dance-friendly incarnation of boppy indie-pop in their debut single… Wonderchild (Anna-Kat) and Little Seal (Ronan Chapple) were part of the Western Australian Academy of Performing Arts’ graduating class of 2015, and have both released singles of their own since then.” 

Jack Ladder – Susan: “Jack Ladder… has just released his new single Susan, the first new music from Ladder and his band The Dreamlanders since their 2014 acclaimed album ‘Playmates’, which featured Sharon Van Etten on two tracks. Ladder’s baritone still sounds amazing and the track has a slow, disco feel to it. He’s supported the likes of Florence And The Machine, Angel Olsen, Sharon Van Etten Weyes Blood and Alex Cameron over the last year or so, so he’s someone that’s mixing in the right circles.”

Will McKay – Somebody Else: From his recently released EP “Will McKay” – “Will McKay is a 24-year-old singer/songwriter from the UK, with an eclectic range of styles in the vein of psychedelic folk, pop rock, blues, jazz and country. McKay started playing music at age 16 as a guitarist. When McKay was 20, songwriting became his main focus. McKay strives for uniquely infectious songs, achieving memorable moments with creative songwriting. As evidenced on the tracks “Somebody Else”, with its trippy organ and symphonic flourishes, and the soulful sax-laden pull of “Too Much of a Good Thing”, McKay is a talented singer/songwriter with a diverse sound.”

The Last Port – Say You Will (ft. Tequisha): From Parisian producer The Last Port – “Born in 1986 in Metz, France, Raphaël V. started to learn the cello at the age of 7, and never stopped since then. After a childhood spent in classical classes, he started to have a huge interest in Indie Rock, and learnt the guitar, along with the drums and the piano, and practiced with a few bands. After moving to Paris in the middle of the 2000s, he discovered a huge electronic scene and started electronic composition. With his project The Last Port started four years ago, he wanted to bring together his taste for atmospheric sounds, long buildups and post-rockish guitars, and electronic music with heavy beats and rhythms. Since the birth of the project, he has released three EPs, a good number of remixes and collaborations with singers all around the world.”

LeRichie – Under Covers: From Canadian indie-pop artist LeRiche’s upcoming EP “X-Dreamer”, “the track’s yearning vocals and cluttering percussions remind of Fleet Foxes’ rolling melodies and Local Natives emotionally cathartic choruses.” Released on Fierce Panda records.

Alex Siegel – Good Leg: “Alex Siegel is a musician, songwriter and producer based in Santa Monica, California. His debut album Röykkä, out on 5/20/17, is the fruit of recording sessions after Alex met producer Matti Kari in a hostel in Moscow. “Good Leg” is a cut from the release. “With this album, I was in a prolific period of songwriting,” Alex explains. “In ‘Good Leg’, I’m reflecting on youth and the journey to finding oneself and discovering what you’re made of, what you believe in.” Alex is a longtime collaborator with Waterstrider. He is also a touring drummer with Nine Pound Shadow and keyboardist/guitarist with Omar Velasco and the Mother Tongues.”

Zipper Club – Breath: New single. “US act Zipper Club are fronted by Mason James, who founded Cerebral Ballzy and well known model and musician Lissy Trullie. They played an incredibly well received set at Coachella, which saw them perform with mate and Tears For Fears founder Curt Smith. http://www.wmagazine.com/story/zipper-club-lissie-trullie-mason-james-coachella It’s a bit Chvrches, The Knife, School Of Seven Bells”.

Jesuton – Man Of My Life:Every artist has to tread their own musical journey; East London’s  JESUTON  has forged a path like no other. Since choosing to pursue a musical career in Brazil she rapidly went from busking on the streets of Rio to being watched by 20 million people on some of Brazil’s biggest TV shows, becoming a household name along the way. The young singer proudly announces the release of her debut album of original material ‘Home’ and sets her sights on making moves back in the UK with a more UK/Euro-centric collection of songs.

‘Home’ album (out 31st March) streams: http://www.somlivre.lnk.to/Jesuton_HOME

The Wheel of Your Tune

The Wheel of Your Tune works like this; I metaphorically turn my spinning top to reveal a random letter and number.  The letter relates to an artist or the name of an album in my collection and the number relates to the track by that artist or on that album.  This week’s spin landed on H5.

My H5 track is Herbie Hancock – Black Gravity from his Future 2 Future album.


What’s your H5 track?


Eurovision (not what you think) – Discuss

I was out of the country for The Eurovision Song contest.  This annual musical fiesta used to be a staple of my childhood, but it’s been years since I watched it all the way through.  I don’t have the attention span or patience for a programme of that length often offering mostly dodgy tunes.  When I did used to watch it regulalry, I was fascinated by the difference in musical styles and fashions; what I thought was dreadful would be amazing to a Belgian.  I also used to love cackling along as Terry Wogan giggled his way through the presentation.   It’s not been the same for me since he stopped doing it.  Baa humbug – what a miserablist I can be!

While Eurovision was going on, I was in Mallorca.  The bars played a mixture of music I recognised from my daughter’s chart playlist and Europop my ears had never heard before and wasn’t at all offensive.  On the plane home I flicked through SleazyJet’s in-flight magazine and came across an article titled “How To Be Bigger Than Björk” I wasn’t about to let that one pass without reading it.  The article is an interview with Icelandic musician, Ásgeir and describes his sound as a mix between Ben Howard and James Blake – so far so good.  I had a listen once I was home and over my cycling fatigue.  It’s really quite lovely; the journalist’s description is pretty accurate, I would also add a hint of Mumford and Sons too.  I can’t say he’ll be a permanent feature of my playlists yet it was an interesting discovery.

It made me realise there must be hundreds of artists doing well in their own nations and territories of Europe that are relatively unknown to listeners outside their homeland.  Don’t get me wrong, I know and love plenty of European bands and musicians – because they are played on UK radio.  I tend not to seek out musical gems unless it’s made known to me first or recommended by a friend.  Call it ignorance or laziness – I also don’t have the time.  That’s where you come in!  I want you to tell me about European gems you’ve come across that deserve a wider audience outside their homeland.

Yet again ‘Spillers I come to you to fill in the gaps in my musical knowledge. What can you tell me about all this and who else should I be tracking down?

Wilson Wednesday – Jimmie Wilson

So the Eurovision Song Contest has been and gone for another year, and Portugal have taken out the prize for the first time in their history. Congratulations to them, especially for doing it with a song fully in Portugese rather than taking the more common path of pandering to the international audiences and singing in English.

Anyway, I can’t say I religiously watched the telecast of the event, but I did catch some bits and pieces along the way, and I might have to quietly admit to enjoying it. Not so much the quality of the music, which I will tactfully say is “variable at best”, but as a spectacle it’s a bit of harmless fun and often good for a laugh. I still don’t understand what my home country is doing there though (did I miss that geography lesson at school?)

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RR Films: Monsters

A man often labelled a monster has just died. It’s hard to disagree with the label here: a creature who seemed to lack empathy and to enjoy cruelty.

Or is perhaps just big and scaly, or hairy and colossal, or blue and furry. Monsters come in many forms, human, animal and even alien. They also come in many films, so let’s hear about them.

I’ll kick off with the most powerful examination of a human monster I’ve ever seen, Joshua Oppenheimer’s The Act Of Killing.

What films about monsters would you recommend?

‘Spillin’ The Beans – “allbut6ix – Like A River”

This week, I am listening to the latest release from allbut6ix, which is the musical brainchild of Canadian Dwight Druick. “Like A River” is the band’s second album and is available to listen here. In Dwight’s own words;

As a musical project, allbut6ix was an idea that was born in the hearts and arms of those that love me, and was brought to fruition with a ‘little king-sized’ help from some of my closest musical friends.


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Earworms 15 May 2017

Rather a thoughtful start to Earworms today, but we can rely on severin to jolly us up again, half way through. Hope you enjoy the music, and don’t forget, if you have an earworm you’d like to share, please send a link or an .mp3 to earworm@tincanland.com, with a few words about why you’ve chosen it. thanks to all contributors.

Black – Water On Snow – DsD: Damn, but I still miss Colin Vearncombe. From the posthumous re-release of his Any Colour You Like compilation, here’s a 7-minute indulgence of one of my favourite voices with a side-order of piquant guitar.

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Sounds on Sunday 30

Week 30 of this series already, and still lots of great music, with a cracking start from the Ravellas this morning. Hope you enjoy the sounds, please let us have your comments below. Many thanks to all contributors.

Ravellas – Blush: “Ravellas are a 4 piece Indie band from Greater Manchester. Their last release ‘Puppettes’ was featured on Spotify’s ‘Fresh Finds’ and currently has over 230k streams. They recently toured with grammy nominated Highly Suspect ending at a sold out Koko in London. The band have a grass roots following, selling out hometown shows and have gained momentum within the industry attracting management and labels, but currently work alone.”

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The Wheel of Your Tune

The Wheel of Your Tune works like this; I metaphorically turn my spinning top to reveal a random letter and number.  The letter relates to an artist or the name of an album in my collection and the number relates to the track by that artist or on that album.  This week’s spin landed on Y4.

I don’t have much music by artists starting with Y – the 6th artist in my catalogue is Young MC and the 6th track on his album Stone Cold Rhymin’ is My Name is Young.

What’s your Y6 track?

Balearic sound – Discuss

I’m away this weekend.  This post comes to you via the mystery that is “scheduled posting”.   As it goes live I should have a beer in my hand at the end of my first ride of the weekend on one of the Balearic islands.  I’m not on the club loving island, but I am sufficiently close to inspire this week’s topic.

The Balearic sound is difficult to pin down as Ibiza has a long history of drawing clubbing crowds.  Even before super-DJs like Carl Cox started endless residencies at the island’s bigger clubs, there were DJs laying the foundation for sounds that would morph into what we all think of as classic Balearic – lyrically emotional, blissed out, sunset, piano and strings.   These foundations came in the form of Carly Simon, Roxy Music and Fleetwood Mac – anything with a danceable beat and groove.  Just listen to Big Love enough and you can hear the basis of later club tracks; up-tempo beat, breathy loved-up noises and soaring vocals.

To me the Balearic sound is about blissful club classics and chill out tunes – but you don’t have to be heading to the club at 1am or coming down at 5am to enjoy these tunes; I love tracks like Sebastian Tellier’s La Ritournelle, I find it calming to have on when driving home after a difficult day at work.  That one is relatively recent.  Other favs are these:

Richie Havens – Going Back to My Roots.  An older funk track rediscovered by the Ibiza massive and played everywhere in clubs favouring the Balearic sound.  Oh those pianos!

I have Sweet Harmony somewhere (not to be confused with the great house track by Liquid), however The Sun is Rising is a lovely end of the night/start of the morning chill out track.

I rediscovered Antena’s Camino del Sol only the other week when I was listening to stuff out at around the same time as Young Marble Giants.  This is such a sweet track with a samba sound to it.  Lovely.

Then there’s the Andrew Weatherall mix of The Grid – Flotation.  Perfect mix of heady chill-out room vibe and club favourite.

I realise I’ve gone for the tamer end of the scale with my choices here.  With summer fast approaching I thought it would be a nice idea to find some new tunes and get a Balearic playlist together.  I’m looking for songs that defined the roots of Balearic Beat, classic Ibiza club tunes and Cafe del Mar style chill out tracks. I won’t be around to read your discussion or comment until Monday, but trust you to get the night going and the chill out room relaxed.

Yet again ‘Spillers I come to you to fill in the gaps in my musical knowledge. What can you tell me about all this and who else should I be tracking down?


Wilson Wednesday – the Wilson Pickers

So we return to normal programming this week, but can I just say thank you to everyone who said nice things last week. I appreciate your support and well wishes. I am doing ok, although now battling a mildish case of bronchitis – I think the stress of everything must have caught up with me.

Anyway though, onto Wilson Wednesday. The beauty of writing a column such as this one is that as well as revisiting bands in your own music collection, it can force you to explore some other music that you have been meaning to, but just haven’t got around it.

As those of you that still frequent the Guardian RR and/or the Song Bar, will know that I always enjoy a good pun and will often have a go at trying to come up with some good ones at topic’s end. Most of the time I fail, but occasionally I manage to get a gem.

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RR Films: Escape

Phew! France didn’t put the racist bastard in charge (although her popularity is still very worrying). Given other trends elsewhere, I consider that an escape. Sounds like a topic…..

There are plenty of war-era films and horror films featuring escapes you may wish to pick. The Killing Fields – highlighted in Journalism week – tells the stomach-churning story of one man’s miraculous escape from the murderous Khmer Rouge, but I’ll go with something more light-hearted, Alan Partridge: Alpha Papa, in which Alan heroically negotiates the release of hostages held at gunpoint (well, in his head he does…..).

What films about escape would you recommend?