Sounds on Sunday 47

More new sounds on Sunday for you. Hope you find something to enjoy, and please feel free to comment below. Many thanks to all contributors.

Tove Styrke – Mistakes: Newly released single from this Swedish singer-songwriter. A platinum selling and Grammy nominated artist in her native Sweden, Tove Styrke has been on a fast rise since the release of Kiddo, bolstered by striking lead single, “Borderline,” as well as strong follow-ups, “Ego” and “Number One.” The album paved the way for a full North American headline tourSXSW appearances, a performance on Late Night with Seth Meyers and widespread critical acclaim.

Jim Button – Just A Little Less: “Only a few years ago while curing herself from her anxiety of sleeping in the dark while hiking through Norway the woman that goes by the name of Jim Button decided to go for a career in songwriting. The back then photographer wanted to write songs. Songs for others to perform. To do so she simply taught herself to play six chords on the guitar and got started. It did not take too long until she realised that there was more to her songs. From that moment on she wrote for herself as well.”

Topia – Lay It On The Line: “Born from a love of euphoric and gothic pop, Los Angeles electronic duo TOPIA, consisting of Jack Payne and Jack Guimon, set out to explore that yin and yang… “Lay It on the Line” is a track that deals with emotional honesty, specifically about how it’s difficult to explain how you feel about something or someone, but it’s always worth it to make that effort. It’s a leap of faith, hoping the feelings will be reciprocated, while coming to grips with the possibility they won’t be.”

Patrick Joseph – Waiting to Begin: New single. “Pittsburgh native, Los Angeles resident & Award-Winning singer/songwriter Patrick Joseph has been active in the music world for years now, having toured extensively … With the support of music licensing, having landed dozens of film and TV placements (including The Office, Grey’s Anatomy, Gossip Girl), and the support of influential independent radio such as KCRW and KEXP, Joseph has independently forged a spot for himself as one of LA’s brightest young songwriters and rising stars on the indie scene.”

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The Wheel of Your Tune

The Wheel of Your Tune works like this; I metaphorically turn my spinning top to reveal a random letter and number. The letter relates to an artist or the name of an album in my collection and the number relates to the track by that artist or on that album. This week’s spin landed on N8.

I seem to own a phenomenal number of tracks and albums by artists beginning with N. I’ve got a lot to choose from so have chosen a favourite track 8. This by Nitin Sawhney from his 2001 album Prophesy narrowly pipped Nick Cave and the Bad Seeds (Are You) the One That I’ve Been Waiting For. Here we are then:

Breathing Light

What’s your N8?

Marvelous Middle Eights – Discuss

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Better late than not at all….

 

A spooky thing happened to me last week on my way home from work and when cooking dinner a bit later.  I had a random playlist on in the car (always far too loud so as to distract me from the annoying traffic), for once I was really listening to the music rather than allowing the issues of the day to invade my subconscious and begin to worry me.  A song called Shining Light by Ash came on.  It’s a sweet tune from 2001 with some lovely lyrics you could send to someone in the hope they’d pick up your meaning…it’s not as rocky as Girl from Mars, but still passable commute listening.  As the song progressed, it suddenly changed tempo and key “Ah that’s a lovely little middle eight right there” I thought to myself – I never think of these things generally, so it was a weird thought to have.  End of little anecdote number 1.

Here’s the track as a reminder:

Later I was cooking dinner with a new releases round table discussion on the radio in the background.  They played the new St Vincent release called Los Ageless. (which is a great track btw).  The panel members loved it, but one of the guests (Jimbob from Carter USM) mentioned how brilliant the middle eight was in her track.  How bloody weird!  I’ve never really thought about middle eights and there it was; twice in the space of a couple of hours.

I agree with Jimbob; a good middle eight keeps you interested and moves the track on.   There are loads of great Motown tracks I can think of with very good middle eights – Ain’t No Mountain High Enough as a starter.  The Beatles and The Beach Boys were pretty good at middle eights too.  I love the middle eights in Stevie Nicks’ Edge Of Seventeen and in Justin Timberlake’s Rock Your Body.  Both tracks ramp back up after their middle eight lulls, propelling the tune to its end.

Since last week I have tuned into so many middle eights in the songs I’ve listened to; I notice them even when I’m not really paying attention.  There was a middle eight RR topic back in 2009 and the songs that made the list are all good examples (although I can’t claim to like all the songs – Kaiser Chiefs???).  So, yet again ‘Spillers I come to you to discuss this issue. What do you know about all of this? What are your favourite middle eights?  Or maybe you think they are a waste of time and an attempt by the artist to self indulgently show off?  Discuss.

‘Spillin’ The Beans – “To The Bone” by Steven Wilson

 

This week, I am taking a slightly different approach to ‘Spillin’ The Beans because I am going to discuss an album released by a major artist back in August. That album is Steven Wilson‘s fifth solo release, “To The Bone“. It isn’t really a review, more of a personal reflection upon the music and how it has been received.

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LEE MORGAN FILM

I recall that at some point within the last couple of years I posted “The Sidewinder” by Lee Morgan, it was a huge jazz hit in the US in 1963, you all responded nicely, it got a good reception. Lee Morgan was a NY jazz trumpeter who was very highly thought of, he was like the new Charlie Parker of the modern jazz movement. I just checked my postings and it doesn’t show so perhaps I posted it in Earworms or somesuch, no matter. The reason I mention this is because last night I saw a wonderful film titled “I called him Morgan”, it was on Netflix. It cleared up something that has bothered me most of my life, why did his wife who loved him dearly shoot and kill him with a revolver in a NY jazz club? A large part of the film comprises an interview with his wife. A beautiful film that everyone should see, there an excellent review at the LA Times. Sadly youtube doesn’t seem to have it though they do have pages of his music video. Look for it if you don’t have Netflix.

http://www.latimes.com/entertainment/movies/la-et-mn-i-call-him-morgan-review-20170330-story.html

RR Films: Water

We did consider films about The Sea back in our early days but there’s so much rain around at the moment that I thought wateriness in general deserved a week.

There are some great dramas set on raging rivers (Werner and Klaus territory) and some gentle portraits set on lakes (well, one I can think of). Torrential rain can have devastating effects, as we are seeing, and yet drizzle and mist can prove beautifully atmospheric. Real life needs a bit of moderation; films prefer the extremes.

My choice is Pixar’s Finding Nemo, a film set almost entirely underwater, and one I was pleased to have the excuse to see in the cinema by taking a child with me. The animation is stunning and the jokes are pretty good.

What wet films would you recommend?

Earworms 11 September 2017

More eclecticism for you on a Monday morning, hope it gets your day off to a good start. If you have an earworm you would like to share, please send an .mp3 or link to: earworm@tincanland.com, together with a few lines about why you’ve chosen it. Many thanks to all contributors.

Susanne Sundfør – Undercover – severin: It’s supposed to be “earworms” so here I am, sending in what I hope will be the most “earwormy” track from Susanne Sundfor’s new album. The one that was released as a taster/single before the whole package. The album’s a bit of a change from her last two releases. Less electronic and, according to some, less instantly accessible. Although I have been playing it incessantly for the past three days since it arrived. Frankly, every track is an earworm for me right now. Even “Sounds of War”; the 7’ 49” track I first thought of sending.

Bruno Merz – Whisper Turn – AliM: Originally from New Zealand, Bruno currently lives in the UK. His popularity grew worldwide following the success of his 2014 debut album “Highways”, and single, “Emmeline”. In 2015, he also wrote a classical score for the Northern Ballet’s children’s production “Tortoise and the Hare”. This is the first rather lovely single from the album ‘Whisper Turn‘, which is due for release in early 2018.

Janiva Magness – Long As I Can See The Light – glassarfemptee: Janiva Magness is a leading light in the Americana scene, and here she belts out a song she wrote and released last year, which has a classic chooglin’ feel to it.

Ich & Ich – Vom selben Stern – abahachi: One of the odder aspects of listening to German radio a lot – for the traffic reports, for example – is discovering what they consider to be “classics from the 80s to today”; not just the eclectic mixture of, say, REM, Blondie, Visage, Girls Aloud and U2, but also the home-grown acts. This, from 2007, seemed to be on heavy rotation this summer.

Karrin Allyson – Everybody’s Boppin’ – Ravi Raman: – an impulse buy after hearing it in a playlist. Didn’t know anything about her or the backing band which impressed me the most. The album is “Footprints”.

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